Gate the bleed, even the hits, line up your mics, and set tracking levels — four drum tools in one channel strip, on every drum track.
Origin goes on each drum in the session — kick, snare, toms, room — and they all talk to each other, so any window controls the whole kit.
An adaptive release measures each drum's own decay and fades out in step with the tail — so silence between hits goes away without the hard chop of a classic gate. 2 ms lookahead never clips the transient.
Per-hit gain riding lifts the soft hits to sit with the loud ones. It works hit by hit, not like a compressor, so your tone and transients stay yours. A Depth control decides how even — machine-tight or naturally loose.
Put Origin on two mics of the same drum and pick the other track by name. It cross-correlates them on the host timeline and tells you, in plain words, the delay and polarity — then fixes it with one click. Plus polarity, fractional delay, and all-pass rotation.
A measurement tap on the raw input reads sample peak, true peak, RMS, crest, headroom and clip count, then tells you in plain language how to set gain for a clean −18…−12 dBTP take across the whole session.
AU + VST3 for macOS · time-limited free trial · activate on a few machines · keeps working offline · free updates